https://cunnan.lochac.sca.org/index.php?title=Maaseik_Embroidery&feed=atom&action=history
Maaseik Embroidery - Revision history
2024-03-28T22:10:35Z
Revision history for this page on the wiki
MediaWiki 1.39.3
https://cunnan.lochac.sca.org/index.php?title=Maaseik_Embroidery&diff=27668&oldid=prev
Helenefae at 01:13, 13 July 2006
2006-07-13T01:13:55Z
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Budny, Mildred and Dominic Tweddle. "The Maaseik Embroideries," in Anglo-Saxon England vol. 13, edited by Peter Clemoes. Cambridge: Cambridge University Press, 1984, pages 65-97.</div></td>
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Helenefae
https://cunnan.lochac.sca.org/index.php?title=Maaseik_Embroidery&diff=20134&oldid=prev
Cian: category:embroidery
2004-08-12T01:49:36Z
<p><a href="/index.php?title=Category:Embroidery" title="Category:Embroidery">category:embroidery</a></p>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Background ===</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The vestments of Sts. Harlindis and Relindis, which now reside in Maaseik, in Belgium are the earliest surviving examples of Anglo<del style="font-weight: bold; text-decoration: none;"> </del>Saxon embroidery that we have today. Although traditonally attributed as the work of Sts. Harlindis and Relindis themselves, the works are not that old and are of Anglo<del style="font-weight: bold; text-decoration: none;"> </del>Saxon English origin, dated to the second half of the ninth century.</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The vestments of Sts. Harlindis and Relindis, which now reside in Maaseik, in <ins style="font-weight: bold; text-decoration: none;">[[</ins>Belgium<ins style="font-weight: bold; text-decoration: none;">]]</ins> are the earliest surviving examples of <ins style="font-weight: bold; text-decoration: none;">[[</ins>Anglo<ins style="font-weight: bold; text-decoration: none;">-</ins>Saxon embroidery<ins style="font-weight: bold; text-decoration: none;">]]</ins> that we have today. Although traditonally attributed as the work of Sts. Harlindis and Relindis themselves, the works are not that old and are of <ins style="font-weight: bold; text-decoration: none;">[[</ins>Anglo<ins style="font-weight: bold; text-decoration: none;">-</ins>Saxon<ins style="font-weight: bold; text-decoration: none;">]]</ins> English origin, dated to the second half of the <ins style="font-weight: bold; text-decoration: none;">[[9th century|</ins>ninth century<ins style="font-weight: bold; text-decoration: none;">]]</ins>.</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* gold wrapped thread</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins style="font-weight: bold; text-decoration: none;">[[</ins>gold<ins style="font-weight: bold; text-decoration: none;">]]</ins> wrapped thread</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* coloured silk thread (red, beige, green, yellow, light and dark blue) - The red and green silk are Z-twisted, and sometimes also S-ply. The other silk threads are untwisted.</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* coloured silk thread (red, beige, green, yellow, light and dark blue) - The red and green silk are Z-twisted, and sometimes also S-ply. The other silk threads are untwisted.</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del style="font-weight: bold; text-decoration: none;">pearls</del> and other beads</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins style="font-weight: bold; text-decoration: none;">[[pearl]]s</ins> and other beads</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* linen ground (arcade strips 24x16 /cm, roundals 26x20 /cm, monograms 24x20 /cm)</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* linen ground (arcade strips 24x16 /cm, roundals 26x20 /cm, monograms 24x20 /cm)</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Stitches and Techniques ===</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Stitches and Techniques ===</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td class="diff-marker" data-marker="−"></td>
<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The linen ground is completely filled with silk thread, using either split or stem stitch. Roundals were outlined in <del style="font-weight: bold; text-decoration: none;">pearls</del> and beads.</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The linen ground is completely filled with <ins style="font-weight: bold; text-decoration: none;">[[</ins>silk<ins style="font-weight: bold; text-decoration: none;">]]</ins> thread, using either split or stem stitch. Roundals were outlined in <ins style="font-weight: bold; text-decoration: none;">[[pearl]]s</ins> and beads.</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Stem stitch</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins style="font-weight: bold; text-decoration: none;">[[</ins>Stem stitch<ins style="font-weight: bold; text-decoration: none;">]]</ins></div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* split stitch</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins style="font-weight: bold; text-decoration: none;">[[</ins>split stitch<ins style="font-weight: bold; text-decoration: none;">]]</ins></div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Surface Couching]]</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Surface Couching]]</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Design ===</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Design ===</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>As with other later pieces, these embroideries have close stylistic ties with other decorative arts of the period, including carving in stone, bone and ivory, metalwork and most strongly with illuminated <del style="font-weight: bold; text-decoration: none;">manuscripts</del>.</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>As with other later pieces, these embroideries have close stylistic ties with other decorative arts of the period, including carving in stone, <ins style="font-weight: bold; text-decoration: none;">[[</ins>bone<ins style="font-weight: bold; text-decoration: none;">]]</ins> and <ins style="font-weight: bold; text-decoration: none;">[[</ins>ivory<ins style="font-weight: bold; text-decoration: none;">]]</ins>, metalwork and most strongly with <ins style="font-weight: bold; text-decoration: none;">[[illumination|</ins>illuminated<ins style="font-weight: bold; text-decoration: none;">]]</ins> <ins style="font-weight: bold; text-decoration: none;">[[manuscript]]s</ins>.</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Stylistic elements include:</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Budny, Mildred and Dominic Tweddle. "The Maaseik Embroideries," in Anglo-Saxon England vol. 13, edited by Peter Clemoes. Cambridge: Cambridge University Press, 1984, pages 65-97.</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Budny, Mildred and Dominic Tweddle. "The Maaseik Embroideries," in Anglo-Saxon England vol. 13, edited by Peter Clemoes. Cambridge: Cambridge University Press, 1984, pages 65-97.</div></td>
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Cian
https://cunnan.lochac.sca.org/index.php?title=Maaseik_Embroidery&diff=5786&oldid=prev
Jos at 01:41, 23 June 2004
2004-06-23T01:41:20Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:41, 23 June 2004</td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br /></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The two shorter strips contain the roundal decoration. Each roundal strip contains ten roundals, in two horizontal rows of five, with the roundals set a short distance from each other. Each roundal contains a bird or animal seen in profile, with many of the figures connected to the framing interlace pattern.</div></td>
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<td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The two shorter strips contain the roundal decoration. Each roundal strip contains ten roundals, in two horizontal rows of five, with the roundals set a short distance from each other. Each roundal contains a bird or animal seen in profile, with many of the figures connected to the framing interlace pattern.</div></td>
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<td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><br /></td>
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Jos
https://cunnan.lochac.sca.org/index.php?title=Maaseik_Embroidery&diff=5023&oldid=prev
Jos at 04:32, 21 October 2003
2003-10-21T04:32:19Z
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<p><b>New page</b></p><div>=== Background ===<br />
<br />
The vestments of Sts. Harlindis and Relindis, which now reside in Maaseik, in Belgium are the earliest surviving examples of Anglo Saxon embroidery that we have today. Although traditonally attributed as the work of Sts. Harlindis and Relindis themselves, the works are not that old and are of Anglo Saxon English origin, dated to the second half of the ninth century.<br />
<br />
===Materials Used ===<br />
<br />
* gold wrapped thread<br />
* coloured silk thread (red, beige, green, yellow, light and dark blue) - The red and green silk are Z-twisted, and sometimes also S-ply. The other silk threads are untwisted.<br />
* pearls and other beads<br />
* linen ground (arcade strips 24x16 /cm, roundals 26x20 /cm, monograms 24x20 /cm)<br />
<br />
=== Stitches and Techniques ===<br />
<br />
The linen ground is completely filled with silk thread, using either split or stem stitch. Roundals were outlined in pearls and beads.<br />
<br />
* Stem stitch<br />
* split stitch<br />
* [[Surface Couching]]<br />
<br />
=== Design ===<br />
<br />
As with other later pieces, these embroideries have close stylistic ties with other decorative arts of the period, including carving in stone, bone and ivory, metalwork and most strongly with illuminated manuscripts.<br />
<br />
Stylistic elements include:<br />
* interlace<br />
* geometric patterns<br />
* foliate designs<br />
* stylised animals<br />
<br />
=== Extant Pieces ===<br />
<br />
The surviving embroideries are made up of a number of distinct pieces that form a patchwork garment known as the casula of Sts Harlindis and Relindis. As it is now configured, it is approx. 87cm long x 57cm wide, it is composed of several early medieval textiles, a late medieval half silk fabric and some modern fabrics acting as a base.<br />
<br />
The embroideries comprise two long rectangular pieces, decorated with arcades, two shorter strips decorated with roundals and four monograms in each corner.<br />
<br />
On the two longer strips, there is a dense fill of embroidered patterns - interlace, geometric, foliate and animal ornamentation.<br />
<br />
The two shorter strips contain the roundal decoration. Each roundal strip contains ten roundals, in two horizontal rows of five, with the roundals set a short distance from each other. Each roundal contains a bird or animal seen in profile, with many of the figures connected to the framing interlace pattern.<br />
<br />
=== Sources for Further Information ===<br />
<br />
* Budny, Mildred and Dominic Tweddle. "The Maaseik Embroideries," in Anglo-Saxon England vol. 13, edited by Peter Clemoes. Cambridge: Cambridge University Press, 1984, pages 65-97.</div>
Jos