Irish Clothing: Difference between revisions
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Reconstructing History also will be offering patterns for late period Irish garb in early 2004 through [http://www.grannd.com/rhpatterns.shtml#rh_irish www.grannd.com/rhpatterns.shtml#rh_irish]. Given their excellent reputation for research and interpretation, these patterns will probably be invaluable and good value for the price. |
Reconstructing History also will be offering patterns for late period Irish garb in early 2004 through [http://www.grannd.com/rhpatterns.shtml#rh_irish www.grannd.com/rhpatterns.shtml#rh_irish]. Given their excellent reputation for research and interpretation, these patterns will probably be invaluable and good value for the price. |
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Revision as of 17:36, 25 August 2004
Our knowledge about medieval Irish costume is rather scanty, because there is little surviving evidence for Irish costume, and what survives is fairly controversial. Anyone wanting to reconstruct Irish costume will have to be prepared to do a lot more research and experimentation than for other periods/localities, especially for earlier periods where information is very scanty.
Irish Costume Through Time
Overviews:
- reconstructinghistory - irish - a very comprehensive and well researched site of mediaeval irish costume
- an overview
Early Period c0-1000AD
Leine and brat were worn by kings in symbolic ways until about 1000 meanwhile shorter tunics were also being worn for practical purposes.
References:
- Henry, Francoise, 1965, "Irish art in the early Christian period, (to 800 A.D.)"
- Henry, Francoise, 1967, "Irish art during the Viking invasions, 800-1020 ad"
- Margaret Williams, "Dressing the Part: Depictions of Noble Costume in Irish High Crosses" in "Encountering medieval textiles and dress : objects, texts, images" (2002), edited by Desiree G. Koslin and Janet Snyder, ISBN 312293771 or ISBN 0312293771
- Some online images of irish high crosses
Norman-era Ireland 1100-1200
Statuary still shows legendary kings in the leine and brat, however this may be well out of fashion and just used to show the figures as legendary kings.
Other statues depict garments which could be t-tunics (or belted up leine's), and also some appear to show priestly garb, similar to English priestly garb or this era. Women appear rarely in statuary. Much more research is needed into this period, but results may be inconclusive due to unclear depictions and the small quantity of evidence.
References:
- Henry, Francoise, 1970,"Irish art in the Romanesque period (1020-1170 A.D.)" ISBN 0801405262
1200-1400
Coathardies in the 14th Century (eg. Moy bog gown).
References:
1400-1600
Throughout most of this period, it also appears that some Irish were wearing clothing based on the fashions in England, rather than based on traditional Irish construction.
Extant Garments
There are very few medieval Irish costumes which have survived to the modern day. Those known are:
Women's Garments
- moy bog gown 14th - 17th Century
- shinrone gown - late 16th or early 17th Century
Men's Garments
- Dungiven Jacket - late 16th Century
- Kilcommon Costume - late 16th or early 17th Century
Construction Details
There are few good sources which will tell you how to make leines or the Dungiven Jacket, but ....
Beware of sites which use drawstrings, tartans.
A few sites dealing with reconstucting the above extant garments are listed under the above extant garments, however such instructions are generally more like guidelines and tips for experienced sewers and pattern makers.
Reconstructing History also will be offering patterns for late period Irish garb in early 2004 through www.grannd.com/rhpatterns.shtml#rh_irish. Given their excellent reputation for research and interpretation, these patterns will probably be invaluable and good value for the price.
