Difference between revisions of "Calligraphy"

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* Uncial - the curvy capitals you find in many [[Celtic]] works.
 
* Uncial - the curvy capitals you find in many [[Celtic]] works.
 
* Carolingian minuscule - contemporary with Charlemagne (hence the name), this hand looks very similar to the printed letters taught to schoolchildren.
 
* Carolingian minuscule - contemporary with Charlemagne (hence the name), this hand looks very similar to the printed letters taught to schoolchildren.
* Gothic - also variously called blackletter or Old English, this family of hands is characterized by evenly (and closely) spaced vertical lines with serifs on both ends. Often hard to read, but beautiful nevertheless.
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* Gothic - also variously called blackletter or Old English, this family of hands is characterized by evenly (and closely) spaced vertical lines. Often hard to read, but beautiful nevertheless.  This is often also called ''Textura,'' so named because the even spacing of the letters makes the text look ''woven''.  Some sub-forms of Textura have serifs, some do not.
 
* Bastard (The French form is called Batarde) - a more relaxed version of gothic, with more curves; often highly flourished.
 
* Bastard (The French form is called Batarde) - a more relaxed version of gothic, with more curves; often highly flourished.
 
* Humanist minuscule - the Italian [[Renaissance]] revival of Carolingian minuscule, this hand is the ancestor of modern serif fonts like Palantino and Garamond. Manuscripts written in Humanist often look printed.
 
* Humanist minuscule - the Italian [[Renaissance]] revival of Carolingian minuscule, this hand is the ancestor of modern serif fonts like Palantino and Garamond. Manuscripts written in Humanist often look printed.
 
* Italic - the more relaxed version of Humanist minuscule. Despite the modern connotation of the name, italic in [[period]] is not necessarily slanted (oblique).
 
* Italic - the more relaxed version of Humanist minuscule. Despite the modern connotation of the name, italic in [[period]] is not necessarily slanted (oblique).

Revision as of 14:48, 2 October 2005

Calligraphy is the art of beautiful writing.

Within the SCA, scribes produce scrolls by calligraphing the text and then decorating it with illumination.

Calligraphy comes in many hands (roughly analogous to fonts on your computer). Some examples, in rough chronological order:

  • Roman capitals - these look like the carved letters on ancient monuments, or like the capital letters in a modern serif font.
  • Uncial - the curvy capitals you find in many Celtic works.
  • Carolingian minuscule - contemporary with Charlemagne (hence the name), this hand looks very similar to the printed letters taught to schoolchildren.
  • Gothic - also variously called blackletter or Old English, this family of hands is characterized by evenly (and closely) spaced vertical lines. Often hard to read, but beautiful nevertheless. This is often also called Textura, so named because the even spacing of the letters makes the text look woven. Some sub-forms of Textura have serifs, some do not.
  • Bastard (The French form is called Batarde) - a more relaxed version of gothic, with more curves; often highly flourished.
  • Humanist minuscule - the Italian Renaissance revival of Carolingian minuscule, this hand is the ancestor of modern serif fonts like Palantino and Garamond. Manuscripts written in Humanist often look printed.
  • Italic - the more relaxed version of Humanist minuscule. Despite the modern connotation of the name, italic in period is not necessarily slanted (oblique).