Anglo-Saxon embroidery: Difference between revisions
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We do have, however, examples from the [[9th century|9th]] and [[10th century|10th Centuries]]. These include the [[Maaseik Embroidery]], a ninth century vestment associated with Sts. Harlinde and Renlindis and a maniple, stole and girdle from the grave of St Cuthbert in Durham Cathederal (dated by inscription to between 909-916). |
We do have, however, examples from the [[9th century|9th]] and [[10th century|10th Centuries]]. These include the [[Maaseik Embroidery]], a ninth century vestment associated with Sts. Harlinde and Renlindis and a maniple, stole and girdle from the grave of St Cuthbert in Durham Cathederal (dated by inscription to between 909-916). |
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There are many references to [[embroidery]] in literature and also to those who produced it. In the 10th C, there is reference to St. Dunstan working on designs for Queen Aedgytha, wife of Edward the Confessor. There is also Queen Margaret of Scotland, wife of Malcolm III, who decorated [[cope]]s, [[chasuble]]s, [[stole]]s and altar cloths. |
There are many references to [[embroidery]] in literature and also to those who produced it. In the 10th C, there is reference to St. Dunstan working on designs for Queen Aedgytha, wife of [[Edward the Confessor]]. There is also Queen Margaret of Scotland, wife of [[Malcolm III]], who decorated [[cope]]s, [[chasuble]]s, [[stole]]s and altar cloths. |
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Gifts of textiles to the [[Church]] formed an important part of late [[Anglo-Saxon]] society. Vestments, made up of many marks worth of [[gold]], were given to various religious communities during this period. These [[vestment]]s often the most valuable items in the treasuries of the communities. |
Gifts of textiles to the [[Church]] formed an important part of late [[Anglo-Saxon]] society. Vestments, made up of many marks worth of [[gold]], were given to various religious communities during this period. These [[vestment]]s often the most valuable items in the treasuries of the communities. |
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Revision as of 19:34, 6 June 2005
Background
The first mention of embroidery in Anglo-Saxon England refers to St. Etheldreda, abbess of Ely (died in 679), to St Cuthbert Maniple and Stole. This set of vestments were made in the style known as Opus Anglicanum.
We do have, however, examples from the 9th and 10th Centuries. These include the Maaseik Embroidery, a ninth century vestment associated with Sts. Harlinde and Renlindis and a maniple, stole and girdle from the grave of St Cuthbert in Durham Cathederal (dated by inscription to between 909-916).
There are many references to embroidery in literature and also to those who produced it. In the 10th C, there is reference to St. Dunstan working on designs for Queen Aedgytha, wife of Edward the Confessor. There is also Queen Margaret of Scotland, wife of Malcolm III, who decorated copes, chasubles, stoles and altar cloths.
Gifts of textiles to the Church formed an important part of late Anglo-Saxon society. Vestments, made up of many marks worth of gold, were given to various religious communities during this period. These vestments often the most valuable items in the treasuries of the communities.
Because of the intrinsic worth of these items (a cope and two chasubles burnt in the 14th century recoverd over two hundred and fifty pounds worth of gold), many were destroyed to recover the gold. This explains why so few of these items survive, despite their acknowledged beauty.
Materials Used
Stitches and Techniques
Design
Anglo-Saxon designs in embroidery reflected design in other mediums such as carving and illumination. There was extensive use of interlaced patterns, figural and animal designs as well as architecturally inspired structure within the needlework design.
As would be expected, ecclesiastical embroideries drew heavily from Biblical and religious themes for depictions on vestements and other church decorations.
Extant Pieces
- St Cuthbert Maniple and Stole, around AD 915, Durham Cathedral Library, England, Neg. Nos. 74500 and 74501
- Maaseik Embroidery - Vestments of Sts. Harlindis and Relindis, now in Maaseik, Belgium
Links
- List of Sources for Pre-1000 Embroidery - http://aeg.atlantia.sca.org/tempore/pre-1000.htm
Sources for Further Information
- "The History of English Embroidery", Barbara J. Morris, His Majesty's Stationery Office, 1951
- "Guide to English Embroidery", Patricia Wardle, Her Majesty's Stationery Office, 1970
- Budny, Mildred and Dominic Tweddle. "The Maaseik Embroideries," in Anglo-Saxon England vol. 13, edited by Peter Clemoes. Cambridge: Cambridge University Press, 1984, pages 65-97.
- Bridgeman, Harriet and Drury, Elizabeth, Edited by: "Needlework: an illustrated history", New York: Paddington Press (1978). ISBN: 0448220660
