Applique: Difference between revisions
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* Bed curtains: [[Scotland|Scottish]], 16th or [[17th century]], [[velvet]] on [[wool]] (Swain, plate 6a and 6b) |
* Bed curtains: [[Scotland|Scottish]], 16th or [[17th century]], [[velvet]] on [[wool]] (Swain, plate 6a and 6b) |
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* Funeral palls: "Totenteppich" Funeral Pall, 2nd half of the 15th century (Schuette, fig. 304 and Clabburn, fig. 52) |
* Funeral palls: "Totenteppich" Funeral Pall, 2nd half of the 15th century (Schuette, fig. 304 and Clabburn, fig. 52) |
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* Pillows: Hardwick (Levey), V |
* Pillows: Hardwick (Levey), V |
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* [[Heraldry|Heraldic]] bag (Staniland) |
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* Mameluke cover and heraldic pieces (Ellis) |
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* Altar frontals: 16th century, from Reykir church, Iceland. (Gu�j�nsson, Fig 48-9) |
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* Schuette flower panel |
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* Clothing in Patterns of Fashion |
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* [[Glove]]s in Cleveland [[painting]] |
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* Canvaswork slips |
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=== Sources for Further Study === |
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* Arthur, Liz. "Embroidery 1600-1700 at the Burrell Collection". London: John Murray (Publishers) Ltd, 1995. |
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* Cavallo, Adolph S. "Textiles: Isabella Stewart Gardner Museum". Boston: Trustees, 1986. |
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* Clabburn, Pamela. "Masterpieces of Embroidery". Oxford: Phaidon Press Limited, 1981. |
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* Ellis, Marianne. "Embroideries and Samplers from Islamic Egypt". Oxford: Ashmolean Museum, 2001. |
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* Gujnsson, Elsa E. "Traditional Icelandic Embroidery". Iceland: Kpavogur, 2003. |
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* King, Donald and Levey, Santina. "The Victoria & Albert Museum's Textile Collection: Embroidery in Britain from 1200 to 1750". New York: Canopy Books, 1993. |
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* Levey, Santina. "Elizabethan Treasures: The Hardwick Hall Textiles". New York: Harry N. Abrams, Inc., 1998. |
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* Schuette, Marie and Mueller-Christensen, Sigrid. "A Pictorial History of Embroidery". New York: Praeger, 1964. |
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* Staniland, Kay. "Medieval Craftsmen: Embroiderers". British Museum Press and University of Toronto Press, 1991. |
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* Swain, Margaret H. "Historical Needlework: A Study of Influences in Scotland and Northern England". New York: Charles Scribner's Sons, 1970. |
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* Tubby, Pamela. "Patchwork and Applique" London: Marshall Cavendish Books, 1970. (Is mostly modern, vibrantly coloured patchwork, however has some period examples) |
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[[category:embroidery]] |
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Revision as of 08:07, 11 July 2007
Applique is a technique that combines normal sewing with embroidery. It has been used throughout history to create various household decorations such as hangings or bed clothes and also for clothing.
Materials Used
- silk threads to create slips that are applied to often luxurious ground fabrics such as velvets and silks.
- leather
- linen ground and thread.
Stitches and Techniques
Applique usually involves cutting out a design in one fabric and then applying it, using normal handsewing techniques, to another piece of fabric. When wool was used there was no fraying because of the partial felting that occurs during fulling. More fragile fabrics such as silk brocades or velvets, used candle wax or glues on the edges to prevent fraying during the application process.
Extant Pieces
- Wall hangings: Tristan hanging (Staniland); Hardwick Virtues (Levey); Marion hanging (Tubby)
- Canopies: Baldaquin or canopy from 15th century Sweden (Schuette, fig. 190 and Staniland, fig. 35 (in color)). This can also be seen on-line at http://www.historiska.se/exhibitions/textil/index.html (2nd piece in 2nd row, I think 3rd in 1st row is also applique)
- 16th century Italian, Isabella Stewart Gardner Museum (Cavallo, #91)
- Bed curtains: Scottish, 16th or 17th century, velvet on wool (Swain, plate 6a and 6b)
- Funeral palls: "Totenteppich" Funeral Pall, 2nd half of the 15th century (Schuette, fig. 304 and Clabburn, fig. 52)
- Pillows: Hardwick (Levey), V
