St Cuthbert Maniple and Stole - Revision history

Cian at 07:10, 18 August 2009

2009-08-18T07:10:47Z

← Older revision		Revision as of 17:10, 18 August 2009
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	[[category:artefact (medieval)]][[category:clothing]]		[[category:artefact (medieval)]][[category:clothing]]
			[[category:10th century]]

Cian: links

2007-06-27T23:33:58Z

links

← Older revision		Revision as of 09:33, 28 June 2007
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	~~This~~ set of vestments are the best preserved examples of [[Anglo-Saxon embroidery]]. They are worked with gold thread and ~~coloured~~ ~~silks~~ in [[stem stitch]], [[split stitch]] and [[surface Couching]] Work. These vestments are covered in figures, who are archtypes rather than individuals.		The [[Saint\|St]] Cuthbert set of vestments are the best preserved examples of [[Anglo-Saxon embroidery]]. They are worked with [[gold]][[thread]] and [[colour]]ed [[silk]]s in [[stem stitch]], [[split stitch]] and [[surface Couching]] Work. These vestments are covered in figures, who are archtypes rather than individuals.

	It seems likely that the work was done in Winchester, the capital of Saxon England. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the ~~Carolingian~~ ~~manuscripts~~ of Tours in [[France]]. These in turn influenced the Winchester school of manuscript [[painting]]. Even at this early stage we seen the interplay between the various arts in the production of embroidery designs.		It seems likely that the work was done in Winchester, the capital of [[Saxon]] [[England]]. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the [[Carolingia]]n [[manuscript]]s of Tours in [[France]]. These in turn influenced the Winchester school of [[manuscript]] [[painting]]. Even at this early stage we seen the interplay between the various arts in the production of [[embroidery]] designs.

	== Stitches and Techniques ==		== Stitches and Techniques ==
	* [[Surface Couching]]		* [[Surface Couching]]
	* [[~~stem~~ stitch]]		* [[Stem stitch]]
	* [[~~split~~ stitch]]		* [[Split stitch]]

	== Design ==		== Design ==

	Designs were influenced by other decorative arts of the time, especially manuscript painting. Manuscript artists may have been employed to mark ~~fabrics~~ for embroiderers.		Designs were influenced by other decorative arts of the time, especially manuscript painting. Manuscript artists may have been employed to mark [[fabric]]s for embroiderers.

	== Extant Pieces ==		== Extant Pieces ==
	* St Cuthbert Maniple and Stole, around AD 915, Durham Cathedral Library, England, Neg. Nos. 74500 and 74501		* St Cuthbert Maniple and Stole, around [[AD]] 915, Durham Cathedral [[Library]], England, Neg. Nos. 74500 and 74501

	==External Links ==		==External Links ==
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	* Ivy, Jill. Embroideries at Durham Cathedral. Durham: Dean and Chapter of Durham, 1997. ISBN 0-907078-32-X. - Color photos, technical analysis, and descriptions of the 10th-century stole, maniple, and girdle of St. Cuthbert		* Ivy, Jill. Embroideries at Durham Cathedral. Durham: Dean and Chapter of Durham, 1997. ISBN 0-907078-32-X. - Color photos, technical analysis, and descriptions of the 10th-century stole, maniple, and girdle of St. Cuthbert
	* Bridgeman, Harriet and Drury, Elizabeth, Edited by: "Needlework: an illustrated history", New York: Paddington Press (1978). ISBN: 0448220660		* Bridgeman, Harriet and Drury, Elizabeth, Edited by: "Needlework: an illustrated history", New York: Paddington Press (1978). ISBN: 0448220660

	[[category:artefact (medieval)]][[category:clothing]]		[[category:artefact (medieval)]][[category:clothing]]

Sarah Van Der Goes: added wiki

2007-06-27T14:40:59Z

added wiki

← Older revision		Revision as of 00:40, 28 June 2007
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	This set of vestments are the best preserved examples of [[Anglo-Saxon embroidery]]. They are worked with gold thread and coloured silks in [[stem stitch]], [[split stitch]] and [[surface Couching]] Work. These vestments are covered in figures, who are archtypes rather than individuals.		This set of vestments are the best preserved examples of [[Anglo-Saxon embroidery]]. They are worked with gold thread and coloured silks in [[stem stitch]], [[split stitch]] and [[surface Couching]] Work. These vestments are covered in figures, who are archtypes rather than individuals.

	It seems likely that the work was done in Winchester, the capital of Saxon England. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the Carolingian manuscripts of Tours in [[France]]. These in turn influenced the Winchester school of manuscript painting. Even at this early stage we seen the interplay between the various arts in the production of embroidery designs.		It seems likely that the work was done in Winchester, the capital of Saxon England. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the Carolingian manuscripts of Tours in [[France]]. These in turn influenced the Winchester school of manuscript [[painting]]. Even at this early stage we seen the interplay between the various arts in the production of embroidery designs.

	== Stitches and Techniques ==		== Stitches and Techniques ==

User 144: categorising

2006-05-23T09:42:00Z

categorising

← Older revision		Revision as of 19:42, 23 May 2006
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	=== Background ===

	This set of vestments are the best preserved examples of [[Anglo-Saxon embroidery]]. They are worked with gold thread and coloured silks in [[stem stitch]], [[split stitch]] and [[surface Couching]] Work. These vestments are covered in figures, who are archtypes rather than individuals.		This set of vestments are the best preserved examples of [[Anglo-Saxon embroidery]]. They are worked with gold thread and coloured silks in [[stem stitch]], [[split stitch]] and [[surface Couching]] Work. These vestments are covered in figures, who are archtypes rather than individuals.

	It seems likely that the work was done in Winchester, the capital of Saxon England. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the Carolingian manuscripts of Tours in [[France]]. These in turn influenced the Winchester school of manuscript painting. Even at this early stage we seen the interplay between the various arts in the production of embroidery designs.		It seems likely that the work was done in Winchester, the capital of Saxon England. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the Carolingian manuscripts of Tours in [[France]]. These in turn influenced the Winchester school of manuscript painting. Even at this early stage we seen the interplay between the various arts in the production of embroidery designs.

	=== Stitches and Techniques ===		== Stitches and Techniques ==
	* [[Surface Couching]]		* [[Surface Couching]]
	* [[stem stitch]]		* [[stem stitch]]
	* [[split stitch]]		* [[split stitch]]

	=== Design ===		== Design ==

	Designs were influenced by other decorative arts of the time, especially manuscript painting. Manuscript artists may have been employed to mark fabrics for embroiderers.		Designs were influenced by other decorative arts of the time, especially manuscript painting. Manuscript artists may have been employed to mark fabrics for embroiderers.

	=== Extant Pieces ===		== Extant Pieces ==
	* St Cuthbert Maniple and Stole, around AD 915, Durham Cathedral Library, England, Neg. Nos. 74500 and 74501		* St Cuthbert Maniple and Stole, around AD 915, Durham Cathedral Library, England, Neg. Nos. 74500 and 74501

	=== Links ===		==External Links ==

	* ~~Part of St Cuthburt's Maniple -~~ http://copies.anglicansonline.org/churchtimes/000519/feat.htm		*[http://copies.anglicansonline.org/churchtimes/000519/feat.htm Part of St Cuthburt's Maniple]

	=== Sources for Further Information ===		== Sources for Further Information ==

	* Ivy, Jill. Embroideries at Durham Cathedral. Durham: Dean and Chapter of Durham, 1997. ISBN 0-907078-32-X. - Color photos, technical analysis, and descriptions of the 10th-century stole, maniple, and girdle of St. Cuthbert		* Ivy, Jill. Embroideries at Durham Cathedral. Durham: Dean and Chapter of Durham, 1997. ISBN 0-907078-32-X. - Color photos, technical analysis, and descriptions of the 10th-century stole, maniple, and girdle of St. Cuthbert
	* Bridgeman, Harriet and Drury, Elizabeth, Edited by: "Needlework: an illustrated history", New York: Paddington Press (1978). ISBN: 0448220660		* Bridgeman, Harriet and Drury, Elizabeth, Edited by: "Needlework: an illustrated history", New York: Paddington Press (1978). ISBN: 0448220660
			[[category:artefact (medieval)]][[category:clothing]]

Tobin: Reverted edit of Dura59, changed back to last version by 130.194.13.104

2005-11-05T10:46:00Z

Reverted edit of Dura59, changed back to last version by 130.194.13.104

← Older revision		Revision as of 20:46, 5 November 2005
Line 25:		Line 25:
	* Ivy, Jill. Embroideries at Durham Cathedral. Durham: Dean and Chapter of Durham, 1997. ISBN 0-907078-32-X. - Color photos, technical analysis, and descriptions of the 10th-century stole, maniple, and girdle of St. Cuthbert		* Ivy, Jill. Embroideries at Durham Cathedral. Durham: Dean and Chapter of Durham, 1997. ISBN 0-907078-32-X. - Color photos, technical analysis, and descriptions of the 10th-century stole, maniple, and girdle of St. Cuthbert
	* Bridgeman, Harriet and Drury, Elizabeth, Edited by: "Needlework: an illustrated history", New York: Paddington Press (1978). ISBN: 0448220660		* Bridgeman, Harriet and Drury, Elizabeth, Edited by: "Needlework: an illustrated history", New York: Paddington Press (1978). ISBN: 0448220660




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Dura59 at 10:31, 5 November 2005

2005-11-05T10:31:18Z

← Older revision		Revision as of 20:31, 5 November 2005
Line 25:		Line 25:
	* Ivy, Jill. Embroideries at Durham Cathedral. Durham: Dean and Chapter of Durham, 1997. ISBN 0-907078-32-X. - Color photos, technical analysis, and descriptions of the 10th-century stole, maniple, and girdle of St. Cuthbert		* Ivy, Jill. Embroideries at Durham Cathedral. Durham: Dean and Chapter of Durham, 1997. ISBN 0-907078-32-X. - Color photos, technical analysis, and descriptions of the 10th-century stole, maniple, and girdle of St. Cuthbert
	* Bridgeman, Harriet and Drury, Elizabeth, Edited by: "Needlework: an illustrated history", New York: Paddington Press (1978). ISBN: 0448220660		* Bridgeman, Harriet and Drury, Elizabeth, Edited by: "Needlework: an illustrated history", New York: Paddington Press (1978). ISBN: 0448220660




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130.194.13.104: /* Background */

2005-11-02T08:56:58Z

Background

← Older revision		Revision as of 18:56, 2 November 2005
Line 1:		Line 1:
	=== Background ===		=== Background ===

	This set of vestments are the best preserved examples of [[Anglo-Saxon embroidery]]. They are worked with gold thread and coloured silks in [[stem stitch]], [[split stitch]] and ~~surface~~ [[Couching]] Work. These vestments are covered in figures, who are archtypes rather than individuals.		This set of vestments are the best preserved examples of [[Anglo-Saxon embroidery]]. They are worked with gold thread and coloured silks in [[stem stitch]], [[split stitch]] and [[surface Couching]] Work. These vestments are covered in figures, who are archtypes rather than individuals.

	It seems likely that the work was done in Winchester, the capital of Saxon England. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the Carolingian manuscripts of Tours in [[France]]. These in turn influenced the Winchester school of manuscript painting. Even at this early stage we seen the interplay between the various arts in the production of embroidery designs.		It seems likely that the work was done in Winchester, the capital of Saxon England. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the Carolingian manuscripts of Tours in [[France]]. These in turn influenced the Winchester school of manuscript painting. Even at this early stage we seen the interplay between the various arts in the production of embroidery designs.

130.194.13.104: /* Background */ links

2005-11-02T08:56:34Z

Background: links

← Older revision		Revision as of 18:56, 2 November 2005
Line 1:		Line 1:
	=== Background ===		=== Background ===

	This set of vestments are the best preserved examples of Anglo-Saxon ~~Embroidery~~. They are worked with gold thread and coloured silks in stem stitch, split stitch and surface Couching Work. These vestments are covered in figures, who are archtypes rather than individuals.		This set of vestments are the best preserved examples of [[Anglo-Saxon embroidery]]. They are worked with gold thread and coloured silks in [[stem stitch]], [[split stitch]] and surface [[Couching]] Work. These vestments are covered in figures, who are archtypes rather than individuals.

	It seems likely that the work was done in Winchester, the capital of Saxon England. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the Carolingian manuscripts of Tours in France. These in turn influenced the Winchester school of manuscript painting. Even at this early stage we seen the interplay between the various arts in the production of embroidery designs.		It seems likely that the work was done in Winchester, the capital of Saxon England. These works are of a more formal structure than the earlies [[Maaseik Embroidery]]. The Durham work was influenced by the Carolingian manuscripts of Tours in [[France]]. These in turn influenced the Winchester school of manuscript painting. Even at this early stage we seen the interplay between the various arts in the production of embroidery designs.

	=== Stitches and Techniques ===		=== Stitches and Techniques ===

Cian: Reverted edit of 212.126.156.71, changed back to last version by Jos

2005-10-19T23:56:29Z

Reverted edit of 212.126.156.71, changed back to last version by Jos

← Older revision		Revision as of 09:56, 20 October 2005
Line 9:		Line 9:
	* [[stem stitch]]		* [[stem stitch]]
	* [[split stitch]]		* [[split stitch]]
	jbbxnzbcxzncbznxmcbz

	=== Design ===		=== Design ===

212.126.156.71: /* Stitches and Techniques */

2005-10-19T18:57:02Z

Stitches and Techniques

← Older revision		Revision as of 04:57, 20 October 2005
Line 9:		Line 9:
	* [[stem stitch]]		* [[stem stitch]]
	* [[split stitch]]		* [[split stitch]]
			jbbxnzbcxzncbznxmcbz

	=== Design ===		=== Design ===