Sonnet - Revision history

KarenLarsdatter: external link

2007-09-10T18:58:34Z

external link

← Older revision		Revision as of 04:58, 11 September 2007
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	And yet, by heaven, I think my love as rare		And yet, by heaven, I think my love as rare
	As any she belied with false compare		As any she belied with false compare

			== External Links ==
			* [http://moas.atlantia.sca.org/wsnlinks/index.php?action=displaycat&catid=763 Atlantian A&S Links: English Sonnets ]

	[[category:poetry]]		[[category:poetry]]

KarenLarsdatter: Added internal links

2007-09-10T18:57:21Z

Added internal links

Cian: Reverted edits by 82.198.250.66 (Talk); changed back to last version by Conrad Leviston

2007-07-07T12:26:37Z

Reverted edits by 82.198.250.66 (Talk); changed back to last version by Conrad Leviston

← Older revision		Revision as of 22:26, 7 July 2007
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	The '''~~harry~~''' form of [[poetry]] enjoyed two great eras of productivity, first in [[Italy]] and then in [[England]]. Both forms use [[iambic pentameter]], which gives a pattern of ten syllable lines with an accent on every second syllable.		The '''sonnet''' form of [[poetry]] enjoyed two great eras of productivity, first in [[Italy]] and then in [[England]]. Both forms use [[iambic pentameter]], which gives a pattern of ten syllable lines with an accent on every second syllable.

	===The Italian Sonnet===		===The Italian Sonnet===

82.198.250.66 at 12:40, 6 July 2007

2007-07-06T12:40:58Z

← Older revision		Revision as of 22:40, 6 July 2007
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	The '''~~sonnet~~''' form of [[poetry]] enjoyed two great eras of productivity, first in [[Italy]] and then in [[England]]. Both forms use [[iambic pentameter]], which gives a pattern of ten syllable lines with an accent on every second syllable.		The '''harry''' form of [[poetry]] enjoyed two great eras of productivity, first in [[Italy]] and then in [[England]]. Both forms use [[iambic pentameter]], which gives a pattern of ten syllable lines with an accent on every second syllable.

	===The Italian Sonnet===		===The Italian Sonnet===

Conrad Leviston: Reverted edits by 203.111.234.34 (Talk); changed back to last version by Cian

2006-12-07T12:01:48Z

Reverted edits by 203.111.234.34 (Talk); changed back to last version by Cian

@@ Line 12: / Line 12: @@
 The English poets were generally free with how they structured the mood of their piece, but the rhyming couplet at the end made for many a pithy conclusion. Famous Englishmen to utilise the sonnet include [[Samuel Daniel]], [[Sir Phillip Sidney]], [[Edmund Spenser]] and of course [[William Shakespeare]].
 ===Examples===
@@ Line 41: / Line 38: @@
   Whose face alone is cause of my decaye.
-<math>Insert formula here</math>Latex=====Adolphy, sonnet IVII=====
+====Shakespeare, sonnet CXXX====

203.111.234.34: /* Adolphy, sonnet IVII */

2006-12-07T08:35:03Z

Adolphy, sonnet IVII

← Older revision		Revision as of 18:35, 7 December 2006
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	Whose face alone is cause of my decaye.		Whose face alone is cause of my decaye.

	=====Adolphy, sonnet IVII=====		<math>Insert formula here</math>Latex=====Adolphy, sonnet IVII=====

	I were you, if I were me, and only I can do that for you		I were you, if I were me, and only I can do that for you

203.111.234.34: /* Shakespeare, sonnet CXXX */

2006-12-07T08:34:32Z

Shakespeare, sonnet CXXX

← Older revision		Revision as of 18:34, 7 December 2006
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	Whose face alone is cause of my decaye.		Whose face alone is cause of my decaye.

	====~~Shakespeare~~, sonnet ~~CXXX~~====		=====Adolphy, sonnet IVII=====

			I were you, if I were me, and only I can do that for you
	My mistress' eyes are nothing like the sun;
			'Cause all that is you for me I will happy no longer if I touch keys
	Coral is far more red than her lips' red;
			I'm not missing you even you're kiss as a lips sweet
	If snow be white, why then her breasts are dun;
			Yellow papers, I write my neighbour's hoodflouck
	If hairs be wires, black wires grow on her head.<br><br>
			Fuckin' all bitches and shit that you've been through,
	I have seen roses damasked, red and white,
			Even though, tough enough all rhymes in pimes
	But no such roses see I in her cheeks,
			Limes and dayapits in falses in ass, asshole
	And in some perfumes is there more delight
			Nigga, I don't like it as I sex myself on my sperm with wife's egg!
	Than in the breath that from my mistress reeks.<br><br>
			(Oh! This is so erotic, tica, erotica, rotic, go erotic!)
	I love to hear her speak, yet well I know
			Yeah! Man, I'm in modern, let me wear my long, long brown, two-collared
	That music hath a far more pleasing sound.
			Leather coat! Where I sex with the girls!
	I grant I never saw a goddess go;
	My mistress when she walks treads on the ground.<br><br>
	And yet, by heaven, I think my love as rare
	As any she belied with false compare

	[[category:poetry]]

203.111.234.34: /* The English Sonnet */

2006-12-07T08:25:37Z

The English Sonnet

← Older revision		Revision as of 18:25, 7 December 2006
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	The English poets were generally free with how they structured the mood of their piece, but the rhyming couplet at the end made for many a pithy conclusion. Famous Englishmen to utilise the sonnet include [[Samuel Daniel]], [[Sir Phillip Sidney]], [[Edmund Spenser]] and of course [[William Shakespeare]].		The English poets were generally free with how they structured the mood of their piece, but the rhyming couplet at the end made for many a pithy conclusion. Famous Englishmen to utilise the sonnet include [[Samuel Daniel]], [[Sir Phillip Sidney]], [[Edmund Spenser]] and of course [[William Shakespeare]].


			Ooh.. I Gotta page it up (On call when I fuck the shit of all students on Harvard!) (Nigga! Yeah! Shit! Ass, asshole!)

	===Examples===		===Examples===

Cian: italicise patterns

2006-07-10T05:48:52Z

italicise patterns

← Older revision		Revision as of 15:48, 10 July 2006
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	The sonnet form of [[poetry]] enjoyed two great eras of productivity, first in [[Italy]] and then in [[England]]. Both forms use [[iambic pentameter]], which gives a pattern of ten syllable lines with an accent on every second syllable.		The '''sonnet''' form of [[poetry]] enjoyed two great eras of productivity, first in [[Italy]] and then in [[England]]. Both forms use [[iambic pentameter]], which gives a pattern of ten syllable lines with an accent on every second syllable.

	===The Italian Sonnet===		===The Italian Sonnet===

	The Italian sonnet is sometimes called the Petrarchan sonnet after Francesco [[Petrarch]]. It is fourteen lines consisting of an octet and a sestet. The octet may have the rhyming scheme abbaabba or abbacddc. Rarely it appears as abababab. The rhyming scheme of the sestet is more flexible, but common variations are cdcdcd and cdecde.		The Italian sonnet is sometimes called the Petrarchan sonnet after Francesco [[Petrarch]]. It is fourteen lines consisting of an octet and a sestet. The octet may have the rhyming scheme ''abbaabba'' or ''abbacddc''. Rarely it appears as ''abababab''. The rhyming scheme of the sestet is more flexible, but common variations are ''cdcdcd'' and ''cdecde''.

	In this form it is usual for the poet to create two differing moods in the octet and sestet. One common method is for the octet to state a conundrum and the sestet to give the resolution.		In this form it is usual for the poet to create two differing moods in the octet and sestet. One common method is for the octet to state a conundrum and the sestet to give the resolution.
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	===The English Sonnet===		===The English Sonnet===

	The Petrarchan Sonnet was brought into England by [[Sir Thomas Wyatt]], but the relative difficulty of finding rhyming words in English meant that the sonnet soon evolved into a more amenable form. The standard English sonnet, or Shakesperean sonnet, consists of three quatrains and a rhyming couplet. The rhyming scheme is abab cdcd efef gg. The most notable variant is the Spenserian sonnet which is rhymed abab bcbc cdcd ee.		The Petrarchan Sonnet was brought into England by [[Sir Thomas Wyatt]], but the relative difficulty of finding rhyming words in English meant that the sonnet soon evolved into a more amenable form. The standard English sonnet, or Shakesperean sonnet, consists of three quatrains and a rhyming couplet. The rhyming scheme is ''abab cdcd efef gg''. The most notable variant is the Spenserian sonnet which is rhymed ''abab bcbc cdcd ee''.

	The English poets were generally free with how they structured the mood of their piece, but the rhyming couplet at the end made for many a pithy conclusion. Famous Englishmen to utilise the sonnet include [[Samuel Daniel]], [[Sir Phillip Sidney]], [[Edmund Spenser]] and of course [[William Shakespeare]].		The English poets were generally free with how they structured the mood of their piece, but the rhyming couplet at the end made for many a pithy conclusion. Famous Englishmen to utilise the sonnet include [[Samuel Daniel]], [[Sir Phillip Sidney]], [[Edmund Spenser]] and of course [[William Shakespeare]].
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	===Examples===		===Examples===

	The two following examples are both from sixteenth century England. The first is slightly unusual being a quatrain followed by a couplet repeated three times. It was written by Thomas Watson and appeared in his collection of poetry ''Hekatompathia'' in 1581. The second is by Shakespeare himself and is in the standard Shakesperean form. These poems have been chosen for their content as well as to give an example of structure, so it is worth noting that Watson's sonnet is a collection of high praise from various sources. The convention of extravagant praise had been established by Petrarch.		The two following examples are both from [[16th century\|sixteenth century]] England. The first is slightly unusual being a quatrain followed by a couplet repeated three times. It was written by Thomas Watson and appeared in his collection of poetry ''Hekatompathia'' in 1581. The second is by Shakespeare himself and is in the standard Shakesperean form. These poems have been chosen for their content as well as to give an example of structure, so it is worth noting that Watson's sonnet is a collection of high praise from various sources. The convention of extravagant praise had been established by Petrarch.

	====Thomas Watson, sonnet VII====		====Thomas Watson, sonnet VII====

Conrad Leviston: category:poetry

2005-01-18T12:44:05Z

category:poetry

← Older revision		Revision as of 22:44, 18 January 2005
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	And yet, by heaven, I think my love as rare		And yet, by heaven, I think my love as rare
	As any she belied with false compare		As any she belied with false compare

			[[category:poetry]]

← Older revision		Revision as of 04:57, 11 September 2007
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	Harke you that list to heare what sainte I serve:		Harke you that list to heare what sainte I serve:
	Her yellow locks exceede the beaten goulde;		Her [[yellow]] locks exceede the beaten goulde;
	Her sparkeling eyes in heav'n a place deserve;		Her sparkeling eyes in heav'n a place deserve;
	Her forehead high and faire of comely moulde;		Her forehead high and faire of comely moulde;
	Her wordes are music all of silver sounde;		Her wordes are [[music]] all of [[silver]] sounde;
	Her wit so sharpe as like can scarce be found;		Her wit so sharpe as like can scarce be found;
	Each eyebrow hanges like Iris in the skies;		Each eyebrow hanges like Iris in the skies;
	Her Eagle's nose is straight of stately frame;		Her Eagle's nose is straight of stately frame;
	On either cheeke a Rose and Lily lies;		On either cheeke a [[Rose]] and [[Lily]] lies;
	Her breath is sweete perfume, or hollie flame;		Her breath is sweete perfume, or hollie flame;
	Her lips more red than any corall stone;		Her lips more [[red]] than any [[coral\|corall stone]];
	Her necke more white than aged ~~swans~~ yt mone;		Her necke more [[white]] than aged [[swan]]s yt mone;
	Her brest transparent is, like cristall rocke;		Her brest transparent is, like cristall rocke;
	Her fingers long, fit for Apollo's lute;		Her fingers long, fit for Apollo's lute;
	Her slipper such as Momus dare not mocke;		Her slipper such as Momus dare not mocke;
	Her ~~virtues~~ all so great as make me mute:		Her [[virtue]]s all so great as make me mute:
	What other partes she hath I neede not say,		What other partes she hath I neede not say,
	Whose face alone is cause of my decaye.		Whose face alone is cause of my decaye.
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	I have seen roses damasked, red and white,		I have seen roses damasked, red and white,
	But no such roses see I in her cheeks,		But no such roses see I in her cheeks,
	And in some ~~perfumes~~ is there more delight		And in some [[perfume]]s is there more delight
	Than in the breath that from my mistress reeks.<br><br>		Than in the breath that from my mistress reeks.<br><br>
	I love to hear her speak, yet well I know		I love to hear her speak, yet well I know