Heinrich von Veldeke - Revision history

Cian: links, category

2005-05-04T03:32:03Z

links, category

← Older revision		Revision as of 13:32, 4 May 2005
Line 1:		Line 1:
	The little that is known of the [[minnesinger]] '''Heinrich von Veldeke''' must be gleaned from his works. Based on textual references it can be ascertained that he wrote in the ~~lat~~ [[12th century]]. His name and dialect both place him in Veldeke, a village in Belgian Limburg.		The little that is known of the [[minnesinger]] '''Heinrich von Veldeke''' must be gleaned from his works. Based on textual references it can be ascertained that he wrote in the late [[12th century]]. His [[name]] and [[language\|dialect]] both place him in Veldeke, a village in [[Belgium\|Belgian]] Limburg.

	His lyrics appear in both High German and the Limburg dialect. They are highly influenced by the troubadour idea of [[courtly love]], in which the lady is depicted as the shaper of the man's fate. Heinrich has two longer works to his credit, a life of St. Serveatius (the patron [[saint]] of Maastricht) and ''Eneide'', based on [[Virgil\|Virgil's]] ''Aeneid''.		His lyrics appear in both [[German\|High German]] and the Limburg dialect. They are highly influenced by the [[troubadour]] idea of [[courtly love]], in which the lady is depicted as the shaper of the man's fate. Heinrich has two longer works to his credit, a life of St. Serveatius (the patron [[saint]] of Maastricht) and ''Eneide'', based on [[Virgil\|Virgil's]] ''Aeneid''.

			[[category:troubadour]]

Conrad Leviston: wikify

2004-08-10T01:13:04Z

wikify

← Older revision		Revision as of 11:13, 10 August 2004
Line 1:		Line 1:
	The little that is known of the minnesinger '''Heinrich von Veldeke''' must be gleaned from his works. Based on textual references it can be ascertained that he wrote in the lat [[12th century]]. His name and dialect both place him in Veldeke, a village in Belgian Limburg.		The little that is known of the [[minnesinger]] '''Heinrich von Veldeke''' must be gleaned from his works. Based on textual references it can be ascertained that he wrote in the lat [[12th century]]. His name and dialect both place him in Veldeke, a village in Belgian Limburg.

	His lyrics appear in both High German and the Limburg dialect. They are highly influenced by the troubadour idea of [[courtly love]], in which the lady is depicted as the shaper of the man's fate. Heinrich has two longer works to his credit, a life of St. Serveatius (the patron [[saint]] of Maastricht) and ''Eneide'', based on [[Virgil\|Virgil's]] ''Aeneid''.		His lyrics appear in both High German and the Limburg dialect. They are highly influenced by the troubadour idea of [[courtly love]], in which the lady is depicted as the shaper of the man's fate. Heinrich has two longer works to his credit, a life of St. Serveatius (the patron [[saint]] of Maastricht) and ''Eneide'', based on [[Virgil\|Virgil's]] ''Aeneid''.

Conrad Leviston at 01:08, 9 August 2004

2004-08-09T01:08:40Z

New page

The little that is known of the minnesinger '''Heinrich von Veldeke''' must be gleaned from his works. Based on textual references it can be ascertained that he wrote in the lat [[12th century]]. His name and dialect both place him in Veldeke, a village in Belgian Limburg.

His lyrics appear in both High German and the Limburg dialect. They are highly influenced by the troubadour idea of [[courtly love]], in which the lady is depicted as the shaper of the man's fate. Heinrich has two longer works to his credit, a life of St. Serveatius (the patron [[saint]] of Maastricht) and ''Eneide'', based on [[Virgil|Virgil's]] ''Aeneid''.