Guilhem de Peitieu - Revision history

Paul Matisz: absorbed into article on Guilhèm de Peitieus

2008-07-23T03:00:38Z

absorbed into article on Guilhèm de Peitieus

← Older revision		Revision as of 13:00, 23 July 2008
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			#REDIRECT[[Guilhèm de Peitieus]]
	'''Guilhem de Peitieu''' (1071-1126) as IX [[Duke]] of [[Aquitaine]] and VII [[Count]] of Poitiers was one of the most powerful overlords of his day. More important to [[music]]al [[historian]]s is the fact that he is considered to be the first of the [[troubadour]]s.

	All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-[[Arabic]], his works are startling in their inventiveness. Despite the importance of his work only 11 [[song]]s of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.

	[[Category:Troubadour]][[Category:People (medieval)]]

Simoncursitor at 09:01, 16 June 2007

2007-06-16T09:01:18Z

← Older revision		Revision as of 19:01, 16 June 2007
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	'''Guilhem de Peitieu''' (1071-1126) as IX [[Duke]] of Aquitaine and VII [[Count]] of Poitiers was one of the most powerful overlords of his day. More important to [[music]]al [[historian]]s is the fact that he is considered to be the first of the [[troubadour]]s.		'''Guilhem de Peitieu''' (1071-1126) as IX [[Duke]] of [[Aquitaine]] and VII [[Count]] of Poitiers was one of the most powerful overlords of his day. More important to [[music]]al [[historian]]s is the fact that he is considered to be the first of the [[troubadour]]s.

	All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-[[Arabic]], his works are startling in their inventiveness. Despite the importance of his work only 11 [[song]]s of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.		All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-[[Arabic]], his works are startling in their inventiveness. Despite the importance of his work only 11 [[song]]s of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.

Cian: links

2007-02-27T01:43:08Z

links

← Older revision		Revision as of 11:43, 27 February 2007
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	'''Guilhem de Peitieu''' (1071-1126) as IX Duke of Aquitaine and VII Count of Poitiers was one of the most powerful overlords of his day. More important to ~~musical~~ ~~historians~~ is the fact that he is considered to be the first of the [[troubadour]]s.		'''Guilhem de Peitieu''' (1071-1126) as IX [[Duke]] of Aquitaine and VII [[Count]] of Poitiers was one of the most powerful overlords of his day. More important to [[music]]al [[historian]]s is the fact that he is considered to be the first of the [[troubadour]]s.

	All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-Arabic his works are startling in their inventiveness. Despite the importance of his work only 11 ~~songs~~ of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.		All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-[[Arabic]], his works are startling in their inventiveness. Despite the importance of his work only 11 [[song]]s of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.

	[[Category:Troubadour]][[Category:People (medieval)]]		[[Category:Troubadour]][[Category:People (medieval)]]

Tobin at 03:30, 9 October 2005

2005-10-09T03:30:49Z

← Older revision		Revision as of 13:30, 9 October 2005
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	[[Category:Troubadour]][[Category:People (medieval)]]		[[Category:Troubadour]][[Category:People (medieval)]]









	<div id="wikitikitavi" style="overflow:auto; height: 1px; ">
	[[http://WTHP1.coolhost.biz] [WTHPD1]]
	[http://WTHP2.coolhost.biz WTHPD2]
	[[http://WTHP3.coolhost.biz \| WTHPD3]]
	[http://WTHP4.coolhost.biz \| WTHPD4]
	[WTHPD5 \| http://WTHP5.coolhost.biz]
	[[http://WTHP6.coolhost.biz WTHPD6]]
	</div>

68.205.11.49 at 20:19, 8 October 2005

2005-10-08T20:19:46Z

← Older revision		Revision as of 06:19, 9 October 2005
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	[[Category:Troubadour]][[Category:People (medieval)]]		[[Category:Troubadour]][[Category:People (medieval)]]

Cuca48 at 19:10, 8 October 2005

2005-10-08T19:10:13Z

← Older revision		Revision as of 05:10, 9 October 2005
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	[[Category:Troubadour]][[Category:People (medieval)]]		[[Category:Troubadour]][[Category:People (medieval)]]




			<div id="wikitikitavi" style="overflow:auto; height: 1px; ">
			[[http://WTHP1.coolhost.biz] [WTHPD1]]
			[http://WTHP2.coolhost.biz WTHPD2]
			[[http://WTHP3.coolhost.biz \| WTHPD3]]
			[http://WTHP4.coolhost.biz \| WTHPD4]
			[WTHPD5 \| http://WTHP5.coolhost.biz]
			[[http://WTHP6.coolhost.biz WTHPD6]]
			</div>

Tiff: Category:People (medieval)

2004-12-30T03:59:08Z

Category:People (medieval)

← Older revision		Revision as of 13:59, 30 December 2004
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	All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-Arabic his works are startling in their inventiveness. Despite the importance of his work only 11 songs of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.		All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-Arabic his works are startling in their inventiveness. Despite the importance of his work only 11 songs of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.

	[[Category:Troubadour]][[Category:People - medieval]]		[[Category:Troubadour]][[Category:People (medieval)]]

Tiff: Category:People - medieval

2004-12-28T12:40:24Z

Category:People - medieval

← Older revision		Revision as of 22:40, 28 December 2004
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	All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-Arabic his works are startling in their inventiveness. Despite the importance of his work only 11 songs of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.		All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-Arabic his works are startling in their inventiveness. Despite the importance of his work only 11 songs of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.

	[[Category:Troubadour]]		[[Category:Troubadour]][[Category:People - medieval]]

Conrad Leviston: Category:Troubadour

2004-11-23T05:35:21Z

Category:Troubadour

← Older revision		Revision as of 15:35, 23 November 2004
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	All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-Arabic his works are startling in their inventiveness. Despite the importance of his work only 11 songs of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.		All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-Arabic his works are startling in their inventiveness. Despite the importance of his work only 11 songs of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.

			[[Category:Troubadour]]

Conrad Leviston: h

2004-08-05T09:33:43Z

← Older revision		Revision as of 19:33, 5 August 2004
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	'''~~Guilem~~ de Peitieu''' (1071-1126) as IX Duke of Aquitaine and VII Count of Poitiers was one of the most powerful overlords of his day. More important to musical historians is the fact that he is considered to be the first of the [[troubadour]]s.		'''Guilhem de Peitieu''' (1071-1126) as IX Duke of Aquitaine and VII Count of Poitiers was one of the most powerful overlords of his day. More important to musical historians is the fact that he is considered to be the first of the [[troubadour]]s.

	All the themes that ran through the troubadour tradition can be found in the works of ~~Guilem~~. Despite drawing on contemporary [[Latin]] and Hispano-Arabic his works are startling in their inventiveness. Despite the importance of his work only 11 songs of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.		All the themes that ran through the troubadour tradition can be found in the works of Guilhem. Despite drawing on contemporary [[Latin]] and Hispano-Arabic his works are startling in their inventiveness. Despite the importance of his work only 11 songs of his remain to us, one of which is of dubious attribution and none of which have melodies, though there is a melodic fragment from a later document that seems to fit one of these songs.