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	<id>https://cunnan.lochac.sca.org/index.php?action=history&amp;feed=atom&amp;title=Contrapasso_%28dance%29</id>
	<title>Contrapasso (dance) - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://cunnan.lochac.sca.org/index.php?action=history&amp;feed=atom&amp;title=Contrapasso_%28dance%29"/>
	<link rel="alternate" type="text/html" href="https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;action=history"/>
	<updated>2026-06-12T06:07:32Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.39.3</generator>
	<entry>
		<id>https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=26140&amp;oldid=prev</id>
		<title>Runolfr: Added link to a music source.</title>
		<link rel="alternate" type="text/html" href="https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=26140&amp;oldid=prev"/>
		<updated>2006-03-01T21:03:15Z</updated>

		<summary type="html">&lt;p&gt;Added link to a music source.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:03, 2 March 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;tr style=&quot;background:#cccccc&quot;&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The lady will do the two said turns as before.  The man will do four Seguiti ordinarii: 2 flanked back, and 2 forward &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;tr style=&quot;background:#cccccc&quot;&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The lady will do the two said turns as before.  The man will do four Seguiti ordinarii: 2 flanked back, and 2 forward &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/table&amp;gt;&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/table&amp;gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-empty diff-side-deleted&quot;&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-empty diff-side-deleted&quot;&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Music for Contrapasso is available from [http://www.dragonscaleconsort.com/ The Dragonscale Consort] on their album, &quot;A Consort of Dances&quot;.&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:dances]]&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:dances]]&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Runolfr</name></author>
	</entry>
	<entry>
		<id>https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=14814&amp;oldid=prev</id>
		<title>Runolfr at 17:20, 22 February 2006</title>
		<link rel="alternate" type="text/html" href="https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=14814&amp;oldid=prev"/>
		<updated>2006-02-22T17:20:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:20, 23 February 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Fabritio Caroso]] wrote dances primarily for the nobility, and many of his dances are dedicated to prominent Ladies of the time: he wrote &#039;&#039;Contrapasso&#039;&#039; itself &lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Fabritio Caroso]] wrote dances primarily for the nobility, and many of his dances are dedicated to prominent Ladies of the time: he wrote &#039;&#039;Contrapasso&#039;&#039; itself &lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Contrapasso&#039;&#039; is easy to interpret as a romantic dance, especially with an arrangement of the music such as the one by [http://www.dragonscaleconsort.com/ The Dragonscale Consort].  The title means �Counterstep�, presumably describing the way the dancers frequently move together around a central point or repeat each other�s movements.&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Contrapasso&#039;&#039; is easy to interpret as a romantic dance, especially with an arrangement of the music such as the one by [http://www.dragonscaleconsort.com/ The Dragonscale Consort].  The title means �Counterstep�, presumably describing the way the dancers frequently move together around a central point or repeat each other�s movements.&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Runolfr</name></author>
	</entry>
	<entry>
		<id>https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=14595&amp;oldid=prev</id>
		<title>Conrad Leviston at 03:26, 22 February 2006</title>
		<link rel="alternate" type="text/html" href="https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=14595&amp;oldid=prev"/>
		<updated>2006-02-22T03:26:46Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:26, 22 February 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;tr style=&quot;background:#cccccc&quot;&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The lady will do the two said turns as before.  The man will do four Seguiti ordinarii: 2 flanked back, and 2 forward &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;tr style=&quot;background:#cccccc&quot;&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The lady will do the two said turns as before.  The man will do four Seguiti ordinarii: 2 flanked back, and 2 forward &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/table&amp;gt;&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/table&amp;gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-empty diff-side-deleted&quot;&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-empty diff-side-deleted&quot;&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[category:dances]]&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Conrad Leviston</name></author>
	</entry>
	<entry>
		<id>https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=14514&amp;oldid=prev</id>
		<title>Tobin: rm in article attribuion.</title>
		<link rel="alternate" type="text/html" href="https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=14514&amp;oldid=prev"/>
		<updated>2006-02-22T01:21:55Z</updated>

		<summary type="html">&lt;p&gt;rm in article attribuion.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:21, 22 February 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;tr style=&quot;background:#cccccc&quot;&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The lady will do the two said turns as before.  The man will do four Seguiti ordinarii: 2 flanked back, and 2 forward &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;tr style=&quot;background:#cccccc&quot;&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The lady will do the two said turns as before.  The man will do four Seguiti ordinarii: 2 flanked back, and 2 forward &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/table&amp;gt;&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/table&amp;gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/td&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-empty diff-side-added&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--[[User:Runolfr|Lord Runolfr]] 11:32, 21 Feb 2006 (CST)&lt;/div&gt;&lt;/td&gt;
  &lt;td colspan=&quot;2&quot; class=&quot;diff-empty diff-side-added&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tobin</name></author>
	</entry>
	<entry>
		<id>https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=14511&amp;oldid=prev</id>
		<title>Runolfr at 17:32, 21 February 2006</title>
		<link rel="alternate" type="text/html" href="https://cunnan.lochac.sca.org/index.php?title=Contrapasso_(dance)&amp;diff=14511&amp;oldid=prev"/>
		<updated>2006-02-21T17:32:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[Fabritio Caroso]] wrote dances primarily for the nobility, and many of his dances are dedicated to prominent Ladies of the time: he wrote &amp;#039;&amp;#039;Contrapasso&amp;#039;&amp;#039; itself �in praise of the very magnificent Madonna Felicita Ziletti�.  Dances of this type were typically performed in courts by a single couple or set, while other guests watched.  &amp;#039;&amp;#039;Contrapasso&amp;#039;&amp;#039; seems to be an exception to the rule, in that Caroso seems to describe a dance for an unspecified number of dancers, calling it a �Balleto for uncertain, of doing it in two�.  In contrast, he describes the related dance Contrapasso Nuovo, a dance that clearly requires six dancers, as a �Balleto of six�.  From this description, I conclude that Contrapasso is a dance that, in period, would have multiple couples on the dance floor at the same time.&lt;br /&gt;
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&amp;#039;&amp;#039;Contrapasso&amp;#039;&amp;#039; is easy to interpret as a romantic dance, especially with an arrangement of the music such as the one by [http://www.dragonscaleconsort.com/ The Dragonscale Consort].  The title means �Counterstep�, presumably describing the way the dancers frequently move together around a central point or repeat each other�s movements.&lt;br /&gt;
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[[Il Ballarino]] includes music for &amp;#039;&amp;#039;Contrapasso&amp;#039;&amp;#039; in lute notation.  The music actually appears earlier in the book under the instructions for [[Contrapasso Nuovo]], which Caroso references at the end of the instructions for &amp;#039;&amp;#039;Contrapasso&amp;#039;&amp;#039;.&lt;br /&gt;
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Contrapasso has been researched before in the SCA.  I first learned a version reconstructed by Mistress Mara Kolarova, and the [http://downloads.cynnabar.org/ Terpsichore Dance Manual] also includes a version of the dance.  These versions call the dance &amp;#039;&amp;#039;Contrapasso in Due&amp;#039;&amp;#039;, presumably to distinguish it more easily from [[Contrapasso Nuovo]].  Both of these arrangements describe it as having 4-count measures, but the music is actually composed mostly of twelfth notes or some such, making it easier to describe in units of six notes, and I have documented the steps accordingly.&lt;br /&gt;
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&amp;lt;table&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#ccffff&amp;quot;&amp;gt;&amp;lt;td&amp;gt;&amp;#039;&amp;#039;&amp;#039;Count&amp;#039;&amp;#039;&amp;#039;&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt;&amp;#039;&amp;#039;&amp;#039;Steps&amp;#039;&amp;#039;&amp;#039;&amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;1-12&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt;Start proper, holding hands, and do a Riverenza grave with the left foot.&amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;13-24&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt;Do two Continenze, first to the left and then to the right.&amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td&amp;gt;1-12&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt;Do two Passi gravi and one Doppio presto, starting with the left foot.&amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td&amp;gt;13-24&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt;Do two Passo backward, starting with the right foot, and then two Riprese to the right &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt;Repeat the sequence.&amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;1-12&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt;Take right hands and do two Passi gravi and one Doppio to the left, starting with the left foot &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;13-24&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Take left hands and do two Passi gravi and one Doppio to the right, starting with the right foot &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;25-36&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Release hands and turn to the left with two Seguiti ordinarii; at the end bend at the knees a little to perform a meza Riverenza &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;37-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Do two more Seguiti ordinarii turning to the right &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td&amp;gt;1-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Same as the previous verse except take arms (up to the elbow) instead of hands when turning your partner &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;1-12&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Take both hands with your partner and do two Passi gravi and one Doppio presto to the left &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;13-24&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Do two Passi gravi and one Doppio presto back to the right &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Releasing hands, the lady turns as in the previous two verses, but the man will do four Seguiti flanked: two back and two forward. At the end, turn to stand proper and take hands &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td&amp;gt;1-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Walk forward together doing eight Seguiti ordinarii &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;1-12&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Riverenza to your partner &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;13-24&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Do two Continenze gravi, left then right &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Turn to the left with two Seguiti ordinarii; then do two more Seguiti ordinarii turning to the right &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td&amp;gt;1-12&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The man does two Passi gravi, and one Doppio presto forward, starting with the left foot: the lady will do the same backward, starting with the right foot &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td&amp;gt;13-24&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The lady will do the same forward, and the man back &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; Both do turns with Seguiti ordinarii as before &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;1-12&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The man alone will do the Riverenza with the left foot &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;13-24&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The lady alone will do the Riverenza with the left foot &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr style=&amp;quot;background:#cccccc&amp;quot;&amp;gt;&amp;lt;td&amp;gt;25-48&amp;lt;/td&amp;gt;&amp;lt;td&amp;gt; The lady will do the two said turns as before.  The man will do four Seguiti ordinarii: 2 flanked back, and 2 forward &amp;lt;/td&amp;gt;&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
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--[[User:Runolfr|Lord Runolfr]] 11:32, 21 Feb 2006 (CST)&lt;/div&gt;</summary>
		<author><name>Runolfr</name></author>
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