Cunnan - User contributions [en]

Talk:Religion in the Renaissance

2007-05-12T17:35:28Z

Kittybriton: comment on latest vandalism

Did the best I could with this. I was just browsing random pages and got one with what might best be described as obscene content. Hopefully somebody can put some beef on the bones and polish it some.--[[User:Kittybriton|Kittybriton]] 11:39, 22 April 2007 (EST)

*This page seems to be something of a target for vandals. Perhaps it should be either removed, or locked?--[[User:Kittybriton|Kittybriton]] 03:35, 13 May 2007 (EST)

Talk:Religion in the Renaissance

2007-05-12T17:35:13Z

Kittybriton: comment on latest vandalism

Talk:Farthingale

2007-05-06T12:54:20Z

Kittybriton: a how-to question

I hope somebody with more experience in costuming than myself will pick up this article; what options might work to make a wheel farthingale?--[[User:Kittybriton|Kittybriton]] 22:54, 6 May 2007 (EST)

Farthingale

2007-05-06T12:51:36Z

Kittybriton: link internally

The [[Elizabethan]] farthingale is a hooped petticoat worn to give the skirt its distinctive shape as seen in paintings of the high-to-late renaissance period. It came in two basic flavours: the Spanish, or conical farthingale, and the wheel farthingale, sometimes called the English farthingale.

The Spanish farthingale is probably easier to construct, with as few as three hoops of varying sizes inserted in a stitched casing on the petticoat.

The wheel farthingale is a more complex garment to construct effectively since the intention seems to be to make the skirt stand out horizontally from the waist before dropping precipitately to floor length. The images of the period aren't particularly helpful in determining the shape of the wheel farthingale but practicality (did the Elizabethans ever bother about that?) would suggest that the supporting structure should be more elliptical than circular.

Farthingale

2007-05-06T12:51:11Z

Kittybriton: new article

The [Elizabethan] farthingale is a hooped petticoat worn to give the skirt its distinctive shape as seen in paintings of the high-to-late renaissance period. It came in two basic flavours: the Spanish, or conical farthingale, and the wheel farthingale, sometimes called the English farthingale.

The Spanish farthingale is probably easier to construct, with as few as three hoops of varying sizes inserted in a stitched casing on the petticoat.

The wheel farthingale is a more complex garment to construct effectively since the intention seems to be to make the skirt stand out horizontally from the waist before dropping precipitately to floor length. The images of the period aren't particularly helpful in determining the shape of the wheel farthingale but practicality (did the Elizabethans ever bother about that?) would suggest that the supporting structure should be more elliptical than circular.

Talk:Life in the Renaissance

2007-05-01T16:02:36Z

Kittybriton: signing my comment

They only lived to be about 100-150 years old

*I would love to know who produced the above assertion! I can't cite a reference for this, as it was a TV programme reporting a research project, and my memory is terribly flaky (plus never thought I would need it) but lifespans during [[period]] were capable of rivalling contemporary. However, the ''average'' was shorter, once infant mortality, accidents and violent deaths are factored in.--[[User:Kittybriton|Kittybriton]] 02:02, 2 May 2007 (EST)

Talk:Stewart

2007-04-28T13:07:58Z

Kittybriton: question re: history of spelling of Stuart

Wasn't the original spelling (or one of the earlier variants) Ctuart? --[[User:Kittybriton|Kittybriton]] 23:07, 28 April 2007 (EST)

Bow

2007-04-28T13:01:23Z

Kittybriton: bow (stringed instruments)

==Bow ([[weapon]]) ==
A '''bow''' is a [[weapon]] consisting of a curved, flexible strip of material, especially [[wood]], strung taut from end to end and used to launch [[missile]]s like [[arrow]]s or [[bolt]]s.

''See also:''
* [[Archery]]
* [[Longbow]]
* [[Crossbow]]
* [[Ballista]]
[[category:weapons]][[category:archery]][[category:artefact (medieval)]]

==Bow ([[musical instrument]] accessory) ==
Some stringed instruments may be played by stroking a bow across the strings, rather than plucking the strings. The bow of a musical instrument is typically strung with horsehair (light hair for treble strings or dark hair for bass strings) obtained from the horse's tail. To increase the friction of the hair the bow is rubbed with rosin before use. [[Period]] bows were convex in form unlike the concave bow introduced by Tourte.

== Bow (action) ==
A '''bow''' is the act of nodding, [[curtsey]]ing or bending at the waist towards someone as an act of respect. In [[Renaissance Dance]]s, the [[reverence]] is used as a type of bowing during, before and after each dance.

Rebec

2007-04-28T12:52:31Z

Kittybriton: made - played ; not enuf coffee when writing original

A '''rebec''' is a stringed [[musical instrument|instrument]], played primarily with a [[bow]], possibly the forerunner of the [[violin]]. The body of the rebec is roughly [[pear]]-shaped, carved from a solid piece of [[wood]]. It seems that most rebecs were made by the musicians who played them.

[[category:artefact (medieval)]]
==External Links==
[http://www.crab.rutgers.edu/~pbutler/rebec.html#7 The Rebec Page] includes working drawings to construct an instrument.

Rebec

2007-04-28T12:51:28Z

Kittybriton: correct opening tag to [[

A '''rebec''' is a stringed [[musical instrument|instrument]], played primarily with a [[bow]], possibly the forerunner of the [[violin]]. The body of the rebec is roughly [[pear]]-shaped, carved from a solid piece of [[wood]]. It seems that most rebecs were made by the musicians who made them.

[[category:artefact (medieval)]]
==External Links==
[http://www.crab.rutgers.edu/~pbutler/rebec.html#7 The Rebec Page] includes working drawings to construct an instrument.

Rebec

2007-04-28T00:15:20Z

Kittybriton: tidyup

A stringed instrument, played primarily with a bow, probably the forerunner of the violin. The body of the rebec is roughly pear-shaped, carved from a solid piece of wood. It seems that most rebecs were made by the musicians who made them.

[http://www.crab.rutgers.edu/~pbutler/rebec.html#7 The Rebec Page] includes working drawings to construct an instrument.

Rebec

2007-04-28T00:13:39Z

Kittybriton: new article

A stringed instrument, played primarily with a bow, probably the forerunner of the violin. The body of the rebec is roughly pear-shaped, carved from a solid piece of wood.

[[http://www.crab.rutgers.edu/~pbutler/rebec.html#7 The Rebec Page]]

Fire and Steel

2007-04-27T11:50:28Z

Kittybriton: /* History */ spelling - dissipated (soz for nitpicking)

'''Fire and Steel Dark Age Re-Enactment Society''' is an [[Australia]]n [[re-enactment]] society based in [[Newcastle]], NSW [[re-enactment|re-enacting]] societies and cultures based in Western [[Europe]] during the [[Dark Ages]].

==History==
The group began as an alternative to the [[SCA]] in the [[Newcastle]] area primarily to fight with more accurate [[weapon]]s, and [[armour]] in around 1989. Some of Fire and Steel's early membership were ex-[[SCA]] or still played with the same. Over time the contact lessened to the point that new members of both clubs had not heard of the other.

Fire and Steel suffered from the early re-enactment "Splitters Disease", splitting once with a number of members leaving to join [[the Huscarls]] and again to form Samildanach in the early nineties. Since then, Fire and Steel has remained active and has come to pursue a very anti-expansionist policy.

Fire and Steel once enjoyed a kind of rivalry with [[The Huscarls]] but this has since dissipated. Recently a joint Fire and Steel/Huscarl effort has brought [[archery]] into the beginnings of general [[melee]] at [[Armidale Easter Gathering|NEMAS' Easter Gathering]].

Fire and Steel attend many [[re-enactor]] based [[event]]s in Australia, but are less likely to put on shows for the public.

==Activities==
Its members are more [[living history]] orientated than some, but [[combat]] remains an oft enjoyed activity. Fire and Steel like to consider themselves with some humour, but take their re-enactment seriously.

Individual members enjoy:
*[[arrow]]making and [[fletching]]
*[[shoe]]making and other [[leather]]work
*[[woodwork]]
*[[music]] (including raucous [[song|singing]]
*historic [[food]]
*[[metal]]work
*[[research]]
*[[weaving]]
*[[jewellery]]making

Relatively recently, Fire and Steel have added a number of sub-groups to their society.

They include:
*Kingmakers - [[15th century]] [[soldier]]s and [[men at arms]] as might have been found under the command of [[Richard Neville]], [[Earl]] of Warwick (The Kingmaker) during the [[Wars of the Roses]].
*Colonnell Manus O'Cahan's Regimente of Foote - [[17th century]] [[Ireland|Irish]] [[soldier]]s fighting for the [[Marquis]] of Montrose during the first [[English Civil War]].

==External Link==
* [http://www.users.bigpond.net.au/fireandsteel Fire and Steel Website]
[[category:re-enactment groups]]
[[Category:viking]]
[[Category:saxon]]
[[Category:norman]]
[[Category:byzantine]]
[[category:15th century]]
[[category:17th century]]

The Pippins

2007-04-27T00:19:53Z

Kittybriton: /* Repertoire */ - correct link to Sumer is icumen in (caps)

[[Image:Pop2.jpg|The Pippins|right|thumb]]
'''The Pippins''' is an [[SCA]] [[madrigal]] [[singing|choir]] from [[Tree Girt Sea]] in the [[Midrealm]] (Chicago) that performs mostly pre-[[16th century]] [[madrigal]]s, [[motet]]s, [[round]]s, and [[carol]]s, with occasional forays into PDQ Bach. The Pippins were founded in [[1996]] and have been rehearsing and performing regularly since then.

The Pippins have received the [[Order of the Grove]] ([[arts]] [[award]]), and have taken 1st place in numerous [[Arts and Sciences]] competitions.

The Pippins perform primarily at SCA [[event]]s, but also perform at Christkindlmarkt in Chicago and the Bristol [[Renaissance Faire]], and are always looking for additional venues for performance.

== Repertoire ==
{| border="1" cellspacing="0" cellpadding="5" align="center"}
! [[Song]]
! [[Composer]]
! Date
! [[Language]]
|-
| As I out rode this enderes night (The Coventry Shepherd's Carol)
|
| 16th Century
| [[English]]
|-
| By a Bank
| Thomas Ravenscroft
|
| English
|-
| Carro Della Morte
| Antoni Alamanni
|
| [[Italian]]
|-
| Come Again! Sweet Love Doth Now Invite
|
| 1597
| English
|-
| Coventry Carol
|
| 1591
| English
|-
| Dindirin, dindirin
| Anon
| 1500
| [[French]]
|-
| Dixit Maria
| Hans Leo Hassler
| 1564-1612
| [[Latin]]
|-
| Es ist ein Schnee gefallen
| Casper Othmayr
| 16th Century
| [[German]]
|-
| [[Gaudete]]
|
| 1582
| English
|-
| Green Grow'th the Holly
| [[Henry VIII]] of [[England]]
| 16th Century
| [[English]]
|-
| I Love, Alas, I Love Thee
| Thomas Morley
|
| [[English]]
|-
| Il Est Bel Et Bon
| Pierre Passereau
| 1536
| [[French]]
|-
| In Dulci Jubilo
|
| [[14th Century]]
| [[German]]
|-
| Innsbruck, ich muss dich lassen
| Heinrich Isaac
| [[15th Century]]
| [[German]]
|-
| La Bomba
| Mateo de Fletcha (The Elder)
| [[15th Century]]
| Iberian Mix
|-
| Lady, the Silly Flea
| Giles Farnaby
| 1598
| [[English]]
|-
| Lirum Bililirum
| Rossino Mantovano
| 1510
| Latin
|-
| O lusty May
| Anonymus
|
| [[Scottish]] (Northern [[English]]).
|-
| O Magnum Mysterium
| Tomas Luis De Victoria
|
| Latin
|-
| Oy es dia de placer
| Tomas Pascual
| 1600
| American [[Spanish]]
|-
| Pucelete-Je languis-Domino (Motet)
|
| [[13th Century]]
| French, Latin
|-
| Pucellotte Not-a-Motet
| Antoine Busnois
|
| French, Latin
|-
| Shall I Go Walk
|
|
| [[English]]
|-
| Sing With Thy Mouth
|
|
| [[English]]
|-
| Stella Splendens
|
| 14th Century
| [[Latin]]
|-
| [[Sumer is icumen in]]
|
|
| [[Middle English]]
|-
| Tant que vivray
| Claudin de Sermisy
|
| French
|-
| There is no rose
| Anon
| 1420
| [[English]]
|-
| Tutte Le Vecchie Son Maleciose
| Di Maio
|
| [[Spanish]]
|-
| Veni Veni Emmanuel
| Anon
| 8th Cent
| Latin
|-
|}

== Performance Calendar ==
{| border="1" cellspacing="0" cellpadding="5" align="center"}
! Place
! Location
! Date(s)
|-
| Jubilee Olde English Faire
| Brimfield, IL (Illiton)
| 6/16/07
|-
| Bristol Renaissance Faire
| Bristol, WI (Just over the IL/WI border on 94, Russell Rd. Exit)
| TBD
|-
| Pennsic War 36
| Slippery Rock, PA
| ?8/4/07 - 8/11/07
|-
| Christkindlmarkt
| Daley Plaza Chicago, IL
| Late November/Early to Mid December
|-
|}

== Pictures ==
* [http://www.flickr.com/groups/pippins/ Pippins Photo Dump]
* [http://new.photos.yahoo.com/jenrsmall/album/576460762373395400 Mistress Gianetta's Pictures]
* [http://www.flickr.com/photos/dunstanb/sets/72157600126553887/ Lord Dunstan Pictures]

Talk:Hair

2007-04-26T15:03:37Z

Kittybriton: question - merkin

Would it be indelicate / out of period to also mention the ''merkin'' or pubic wig on this page?--[[User:Kittybriton|Kittybriton]] 01:03, 27 April 2007 (EST)

Talk:Fonnell (recipe)

2007-04-24T00:59:32Z

Kittybriton: yfasted and ystyned - meaning?

from the ''Notes: Period Recipe'' section
* ''yfasted and ystyned''.
Would it be unreasonable to suggest that this means the fowl should be unfed, and stunned before killing? I have a vague memory that a friend of mine who trained as a butcher recommended stunning fowl before killing to prevent the meat being unnecessarily tough.

Religion in the Renaissance

2007-04-22T01:46:25Z

Kittybriton:

== Before the fifteenth century ==

With the establishment of the Benedictine Rule in 480 it seems fairly safe to state that the [[Christian]] faith, particularly as taught by the [[Catholic]] church, was becoming the most widely-held belief across [[Europe]]. The Catholic church would maintain its supremacy as the spiritual authority until the monk, [[Martin Luther]], rebelled against practices and teachings which he believed were not in agreement with biblical doctrine.

The church masses were conducted in [[latin]], a language not known to the common people, who relied on the [[priests]] to provide spiritual counsel. The majority of peasant folk and less well-educated people probably believed a mixture of Christian doctrine and older pre-Christian ideas.

== New beginnings ==

During the thirteenth century thinking men began exploring the written knowledge that had been preserved in [[monastic]] libraries, but which had not been actively disseminated. One of the goals of these intellectual explorers seems to have been to rediscover the culture of the classical, pre-Christian period, perhaps in search of something that they believed had been lost or suppressed by the church.

In the visual arts, the painter [http://www.wga.hu/html/g/giotto/index.html Giotto Bondone] worked to develop a more natural style of visual representation than the stylised images which had become the norm.

As the intellectual climate of Europe changed, fuelled by the development of [[printing]] with movable type and a printing press, Martin Luther worked to make available translations in the language of his own people, the Germans, of the [[Bible]], the mass and other texts for doctrinal instruction.

With the spread of the reformatory ideas promoted by Luther, a new movement of protestation against the Catholic church became established. Fundamental principles of the protestant movement included rejection of papal authority, that all Christian believers have direct communion with [[God]] obviating the need for an intermediate priesthood, and that a Christian believer is absolved from sin by belief without the need for ''post-mortem'' purification in purgatory.

Priests

2007-04-22T01:42:12Z

Kittybriton: redirect page

#REDIRECT [[priest]]

Talk:Religion in the Renaissance

2007-04-22T01:39:03Z

Kittybriton:

Talk:Religion in the Renaissance

2007-04-22T01:38:12Z

Kittybriton: why I picked this page to edit

Religion in the Renaissance

2007-04-22T01:36:12Z

Kittybriton: changed from previous vandalism - please check religious content!

Neumes

2007-04-21T19:47:14Z

Kittybriton: added a link to the Wikipedia article pro tem

neumes

''see also'' [http://en.wikipedia.org/wiki/Neumes Neume]

Cunnan talk:Friends of Cunnan

2007-04-15T20:12:53Z

Kittybriton:

I would like to know more about Friends of Cunnan. I.e. how does someone become a F.O.C?
--[[User:Kittybriton|Kittybriton]] 06:12, 16 April 2007 (EST)

Mery yt ys

2007-04-15T12:26:40Z

Kittybriton: /* Mery Yt Ys Abc notation */ added missing tag

Sheet Music

2007-04-14T12:17:34Z

Kittybriton: add link to IMSLP public domain music source

Much of the earliest written music that still exists today was for plainchant. With time it became more common to record secular music as well as sacred. The chansonniers of the [[troubadour]]s are important examples of period secular music. As it became more prestigious to own books with ornate [[illumination]] written music started becoming works of art.

With the advent of the [[Gutenberg press]] it was only a short time before music started to be printed. Part books were often printed in sets of four to six, where each book contained the same songs but for a different vocal part.

Restrictive licensing in [[England]] meant that printing there was almost exclusively done by [[William Byrd]]. However in [[1597]] [[lute]] scores in movable type started to be printed, and these form the basis of most of what we know about the so-called [[English lute school]].

Period sheet music is, as one would expect, now in the [[public domain]] (though modern edited versions of songs may not be). There are several projects that aim to archive public domain sheet music, one of which is [[Mutopia]].

== Related topics ==
* [[musical notation]]
* [[Mutopia Project]]
* [[Project Gutenberg]]

== External links ==
* [http://www.ibiblio.org/mutopia/ The Mutopia project]
* [http://www.imslp.org/index.php?title=IMSLP:About The International Music Score Library Project]

[[Category:Music]]

Wholemeal Flour

2007-04-13T14:31:20Z

Kittybriton: spelling and additional info

'''Wholemeal''' or '''whole [[wheat]]''' [[flour]] is a coarser then plain white flour. It is found to be the best when redacting [[medieval]] [[recipe]]s unless the recipe calls for fine ground flour. Wholemeal flour includes particles of bran from the milling process, and may be unbleached.
[[category:food]]

Talk:Sumer is icumen in

2007-04-12T01:35:40Z

Kittybriton:

I think this page needs to be made more user friendly. To me, as it stands, it contain gibberish. I know it is in abc notation but this is mentioned nowhere on the page. I think this should be moved to Sumer is Icumen In (ABC) and leave this page for info/history onm the song (and maybe lyrics) with a link to [[abc notation]] and [[sumer is icumen in (abc)]]--[[User:User 144|User 144]] 09:25, 12 April 2007 (EST)

Unless there are any major objections in the next couple of days I shall make this change.--[[User:User 144|User 144]] 10:52, 12 April 2007 (EST)

I agree about the user-friendliness issue. I have added a link to the abc notation page which I hope will help somewhat.--[[User:Kittybriton|Kittybriton]] 11:35, 12 April 2007 (EST)

Mery yt ys

2007-04-12T01:33:40Z

Kittybriton: add link to abc notation article

Agincourt Carol

2007-04-12T01:33:02Z

Kittybriton: add link to abc notation article

Ther ys ne rose of swych vertu

2007-04-12T01:32:22Z

Kittybriton: add link to abc notation article

This song is in [[abc notation]]

X:49 
T:There is ne rose of swych vertu 
C:Anonymous (English) 
N:transcribed by Myscha Aiken from Nancho Alvarez 
N:(http://www.upv.es/coro/victoria/varios/pdf/Anonimo-There_Is_No_Rose.pdf 
M:3/4 
L:1/4 
K:C 
z2 C | E2 F | G A>G | G>^F F/E/ | G3 | z2 G | 
w:Ther ys ne rose of- swych- ver--tu--- as 
G F2 | E>D F/E/ | C-C/ B,/ B,/A,/ | C3 || 
w:ys the rose-- that-- bar--- Jhe--su. 
z2 G | E>D E/F/ | G A2 | G2 E | F E>D | E z D/E/ | C>B, C/B,/ | G,>A, B, | C2 B, | 
w:Ther ys-- ne-- rose of swych-- ver---tu as-- is-- the-- rose-- that bar Jhe- 
C2 z | C>DE/F/ | G F/E/ D | C2 B, | D C A, | B,/C/D/C/F/E/ | C>B, B,/A,/ | C3 || 
w: su. Al----le---lu----------------ia

Abc notation

2007-04-12T01:15:21Z

Kittybriton: create redirect to Music in abc notation

#REDIRECT [[Music in abc notation]]

Sumer is icumen in

2007-04-12T01:09:59Z

Kittybriton: add link to abc notation article

This song is in [[abc notation]]

X:47 
T:Sumer is icumen in 
C:Anon 
O:English traditional 
M:2/2 
N:Notation is abc 1.6 
L:1/4 
Q:220 
K:F 
f>e d>e | f>f (3edc | A>A B>G | A2 z2 | F>A G>B | 
w:Sum-er is y-cum-en in--, lu-de sing cuc-cu! Grow-eth sed and 
A>A G>F | A>c d>d | c2 z2 | f2 d2 | f2 z2 | f2 d2 | 
w:blow-eth med and spring-th wu-dé nu. Sing cuc-cu! Sing cuc- 
f2 z2 | c>A B>G | A>c (3BAG | A>F G>E | F3 z | 
w:cu! A-wé ble-teth af-ter lamb-, lowth af-ter cal-ve cu; 
F>A G>B | A>A G>F | A>c d>d | c3 z | 
w:Bul-luc stert-eth, buck-é fert-eth, me-rie sing cuc-cu! 
f2 d2 | f2 z2 | f2 d2 | f2 z2 || 
w:sing cuc-cu! Sing cuc-cu!

Mery yt ys

2007-04-11T18:05:33Z

Kittybriton:

Music in abc notation

2007-04-11T18:03:52Z

Kittybriton: /* Medieval music */ add Mery yt ys

== '''What is abc notation?''' ==
abc notation is a text-only way of notating music. It has the advantage of being very compact, making it easy to share music by email and other text-based media, and of being human-readable with a little practice. There is also a strong software base to provide conversion to conventional western musical notation and MIDI renderings.

[http://www.walshaw.plus.com/abc/ abc Home Page]

[http://www.concertina.net/tunes_convert.html online abc conversion utility]

== Medieval music ==

[[Saltarello (1)]] (''Dance'')

[[Sumer is icumen in]] ''(English song)''

[[Ther ys ne rose of swych vertu]] ''(English song)''

[[Agincourt Carol]] ''(English dancing song)''

[[Mery yt ys]] ''English song''

Agincourt Carol

2007-04-11T14:43:31Z

Kittybriton:

Ther ys ne rose of swych vertu

2007-04-11T14:40:10Z

Kittybriton: tidying up appearance

X:49 
T:There is ne rose of swych vertu 
C:Anonymous (English) 
N:transcribed by Myscha Aiken from Nancho Alvarez 
N:(http://www.upv.es/coro/victoria/varios/pdf/Anonimo-There_Is_No_Rose.pdf 
M:3/4 
L:1/4 
K:C 
z2 C | E2 F | G A>G | G>^F F/E/ | G3 | z2 G | 
w:Ther ys ne rose of- swych- ver--tu--- as 
G F2 | E>D F/E/ | C-C/ B,/ B,/A,/ | C3 || 
w:ys the rose-- that-- bar--- Jhe--su. 
z2 G | E>D E/F/ | G A2 | G2 E | F E>D | E z D/E/ | C>B, C/B,/ | G,>A, B, | C2 B, | 
w:Ther ys-- ne-- rose of swych-- ver---tu as-- is-- the-- rose-- that bar Jhe- 
C2 z | C>DE/F/ | G F/E/ D | C2 B, | D C A, | B,/C/D/C/F/E/ | C>B, B,/A,/ | C3 || 
w: su. Al----le---lu----------------ia

Sumer is icumen in

2007-04-11T14:37:14Z

Kittybriton:

X:47 
T:Sumer is icumen in 
C:Anon 
O:English traditional 
M:2/2 
N:Notation is abc 1.6 
L:1/4 
Q:220 
K:F 
f>e d>e | f>f (3edc | A>A B>G | A2 z2 | F>A G>B | 
w:Sum-er is y-cum-en in--, lu-de sing cuc-cu! Grow-eth sed and 
A>A G>F | A>c d>d | c2 z2 | f2 d2 | f2 z2 | f2 d2 | 
w:blow-eth med and spring-th wu-dé nu. Sing cuc-cu! Sing cuc- 
f2 z2 | c>A B>G | A>c (3BAG | A>F G>E | F3 z | 
w:cu! A-wé ble-teth af-ter lamb-, lowth af-ter cal-ve cu; 
F>A G>B | A>A G>F | A>c d>d | c3 z | 
w:Bul-luc stert-eth, buck-é fert-eth, me-rie sing cuc-cu! 
f2 d2 | f2 z2 | f2 d2 | f2 z2 || 
w:sing cuc-cu! Sing cuc-cu!

Agincourt Carol

2007-04-10T00:36:25Z

Kittybriton:

Agincourt Carol

2007-04-10T00:34:27Z

Kittybriton:

Music in abc notation

2007-04-10T00:34:02Z

Kittybriton: /* Medieval music */ add Agincourt Carol

Ther ys ne rose of swych vertu

2007-04-09T14:41:30Z

Kittybriton:

X:49

T:There is ne rose of swych vertu

C:Anonymous (English)

N:transcribed by Myscha Aiken from Nancho Alvarez

N:(http://www.upv.es/coro/victoria/varios/pdf/Anonimo-There_Is_No_Rose.pdf

M:3/4

L:1/4

K:C

z2 C | E2 F | G A>G | G>^F F/E/ | G3 | z2 G |

w:Ther ys ne rose of- swych- ver--tu--- as

G F2 | E>D F/E/ | C-C/ B,/ B,/A,/ | C3 ||

w:ys the rose-- that-- bar--- Jhe--su.

z2 G | E>D E/F/ | G A2 | G2 E | F E>D | E z D/E/ | C>B, C/B,/ | G,>A, B, | C2 B, |

w:Ther ys-- ne-- rose of swych-- ver---tu as-- is-- the-- rose-- that bar Jhe-

C2 z | C>DE/F/ | G F/E/ D | C2 B, | D C A, | B,/C/D/C/F/E/ | C>B, B,/A,/ | C3 ||

w: su. Al----le---lu----------------ia

Ther ys ne rose of swych vertu

2007-04-09T14:40:58Z

Kittybriton:

X:49
T:There is ne rose of swych vertu
C:Anonymous (English)
N:transcribed by Myscha Aiken from Nancho Alvarez
N:(http://www.upv.es/coro/victoria/varios/pdf/Anonimo-There_Is_No_Rose.pdf
M:3/4
L:1/4
K:C
z2 C | E2 F | G A>G | G>^F F/E/ | G3 | z2 G |
w:Ther ys ne rose of- swych- ver--tu--- as
G F2 | E>D F/E/ | C-C/ B,/ B,/A,/ | C3 ||
w:ys the rose-- that-- bar--- Jhe--su.
z2 G | E>D E/F/ | G A2 | G2 E | F E>D | E z D/E/ | C>B, C/B,/ | G,>A, B, | C2 B, |
w:Ther ys-- ne-- rose of swych-- ver---tu as-- is-- the-- rose-- that bar Jhe-
C2 z | C>DE/F/ | G F/E/ D | C2 B, | D C A, | B,/C/D/C/F/E/ | C>B, B,/A,/ | C3 ||
w: su. Al----le---lu----------------ia

Music in abc notation

2007-04-09T14:40:22Z

Kittybriton: add "ther ys ne rose of swych vertu"

Music in abc notation

2007-04-07T12:43:33Z

Kittybriton: /* '''What is abc notation?''' */

Music in abc notation

2007-04-07T12:40:26Z

Kittybriton: /* '''What is abc notation?''' */

== '''What is abc notation?''' ==
abc notation is a text-only way of notating music. It has the advantage of being very compact, making it easy to share music by email and other text-based media, and of being human-readable with a little practice. There is also a strong software base to provide conversion to conventional western musical notation and MIDI renderings.

[http://www.walshaw.plus.com/abc/ abc Home Page]

== Medieval music ==

[[Saltarello (1)]] (''Dance'')

[[Sumer is icumen in]] ''(English song)''

Instrumental music

2007-04-07T12:38:31Z

Kittybriton:

The vast majority of surviving '''instrumental music''' from the [[Middle Ages]] and [[Renaissance]] was intended to accompany [[singer]]s or [[dance]]rs. Instrumental music for its own sake, common in the [[Baroque]] and Classical eras, is all but unknown for earlier time periods.

==See Also==

* [[Musical Instruments]]

* [[Music in abc notation]]

===Dancebands and Musicians===
*[http://www.geocities.com/fonky_gibbon/jouyessance.html Jouyessance - Stowe on the Wowld's dance band.]

[[Category:Music]]

Music in abc notation

2007-04-07T12:36:34Z

Kittybriton: /* Medieval music */

== '''What is abc notation?''' ==
abc notation is a text-only way of notating music. It has the advantage of being very compact, making it easy to share music by email and other text-based media, and of being human-readable with a little practice. There is also a strong software base to provide conversion to conventional western musical notation and MIDI renderings.

[[http://www.walshaw.plus.com/abc/ abc Home Page]]

== Medieval music ==

[[Saltarello (1)]] (''Dance'')

[[Sumer is icumen in]] ''(English song)''

Music in abc notation

2007-04-07T12:33:33Z

Kittybriton: /* Medieval music */

== '''What is abc notation?''' ==
abc notation is a text-only way of notating music. It has the advantage of being very compact, making it easy to share music by email and other text-based media, and of being human-readable with a little practice. There is also a strong software base to provide conversion to conventional western musical notation and MIDI renderings.

[[http://www.walshaw.plus.com/abc/ abc Home Page]]

== Medieval music ==

[[Saltarello (1)]] (''Dance'')

[[Sumer is icumen in]] ''(English)''

Music in abc notation

2007-04-07T12:32:54Z

Kittybriton: /* Medieval music */

Music in abc notation

2007-04-07T12:32:37Z

Kittybriton: /* Medieval music */