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	<updated>2026-04-06T18:36:30Z</updated>
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	<entry>
		<id>https://cunnan.lochac.sca.org/index.php?title=Talk:Anglo-Saxon_Poetry&amp;diff=23248</id>
		<title>Talk:Anglo-Saxon Poetry</title>
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		<updated>2004-12-14T18:59:54Z</updated>

		<summary type="html">&lt;p&gt;158.70.173.46: additions&lt;/p&gt;
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&lt;div&gt;I put in some stuff under meter. Is this a little hard to comprehend? If so would somebody care to rewrite it. I suppose I could throw in a few examples to help things along. [[User:Conrad Leviston|Conrad Leviston]] 18:18, 19 Jul 2004 (EST)&lt;br /&gt;
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== additions ==&lt;br /&gt;
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I&#039;m just traveling through, but I thought the metric section was a nice start. JRR Tolkein has developed a schema of the different types of hemi-stiches in Anglo-Saxon poetry you might find useful to include, and Lewis Turco does a pretty good job of expanding on some of these issues in his _New Book of Forms_. Both Anglo-Saxon and Norse poetry tended to be written in quatrains, often with a master alliterative stress in the second hemi-stich of the second line... when composing poetry you want to sound anglo-saxonish, this really adds a depth IMHO.&lt;br /&gt;
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Glad you&#039;re spreading the word on these forms... your link to &amp;quot;the complete...&amp;quot; is essential, and very nice to find.&lt;br /&gt;
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Brian James&lt;/div&gt;</summary>
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